Ideas associated with the equal tempered octave与等音八度相关的概念
The equal tempered scale is the common musical scale used at present, used for the tuning of pianos and other instruments of relatively fixed scale. The middle octave of the piano is illustrated below and used to point to some of the features of equal tempered intervals compared to Just and Pythagorean intervals. 目前常用的音阶是等音阶,用于钢琴和其他固定音阶的乐器的调谐。下图展示了钢琴的中音区,用于说明等音阶与纯律和毕达哥拉斯音阶相比的一些特点。
![]() Equal temperament divides the octave into 12 equal semitones. It is common practice to state musical intervals in cents, where 100¢ is defined as one equal tempered semitone. The cents notation provides a useful way to compare intervals in different temperaments and to decide whether those differences are musically significant. A useful parameter for comparison is the just noticeable difference (JND) in pitch which corresponds to about 5¢. 等音律将八度分为12个相等的半音。通常习惯用音分(cents)来表示音乐音程,其中100音分定义为一个等音律半音。音分记号提供了一种有用的比较不同音律中音程差异的方法,并可用于判断这些差异是否在音乐上具有重要意义。一个有用的比较参数是音高感知差(JND),其对应约5音分。
If the 5¢ JND in pitch is used as the criterion for acceptable tuning accuracy, then it can be seen that Equal Temperament holds the fifth, the fourth and the whole tone to acceptable accuracy. The breaking of the whole tone into semitones differs significantly from Pythagorean temperament as shown above. The equal tempered major and minor thirds differ significantly from the small whole number ratios of just temperament, and significantly affect the tuning of the major triad.
如果将音调的5个Just Noticeable Difference(JND)作为可接受的调谐精度标准,那么可以发现等音律在五度、四度和大三度方面都达到了可接受的精度。将大三度分解为半音与毕达哥拉斯音律有显著差异,如上所述。等音律的大三度和小三度与纯律中的小整数比有显著差异,并显著影响大三和弦的调谐。 |
Index Temperament and musical scales 索引 音乐的音阶与音调 | ||
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