Some Violin Details

The violin, the most commonly used member of the modern string family, is the highest-sounding instrument of that group. Its four strings are stretched over a high arched bridge that permits the playing of one or two strings at a time, as well as the nearly simultaneous sounding of three or four as chords. The overall length of the violin averages about 60 cm (23.5 in), whereas the sounding length of the strings, from bridge to the nut at the end of the fingerboard, is about 32 cm (12.75 in). The instrument is held on the left side of the body, while the right hand holds the bow. The wider end of the instrument is placed between the player's left shoulder and chin, while the left hand encircles its neck, the fingers stopping the strings to produce the various pitches. Sound is produced by drawing the bow across the strings to make them vibrate, or by plucking the strings (PIZZICATO).

The range of the violin extends from G, the lowest open string, upward nearly four octaves. The strings are tuned a fifth apart at G3(196 Hz), D₄(293.7 Hz), A4, E5(659.3 Hz) if tuned in equal temperament with the A₄ = 440Hz standard. But there are no frets on the fingerboard as found on the guitar, so the player can continuously tune the intervals to any desired pitch in the string's frequency range and play the intervals in any system of temperament. With an ensemble of such instruments, like a string quartet with cello and string bass, the players can experiment with different tunings of the intervals since they are not constrained by frets.

Many consider that violin making reached its pinnacle in the work of Antonio Stradivari and Guiseppe Guarneri in the 18th century. Although the basic construction of the violin has been long established, the subtle variations which make an outstanding violin are the stuff of legend.

The sound quality can be changed considerably by the place where the string is bowed. If bowed close to the bridge (sul ponticello) then the sound is brighter with more harmonic content. If bowed further from the bridge (sul tasto) then the sound is darker, more mellow with less harmonic content.

Violin Construction

The modern violin consists of about seventy parts. Parts include the belly, the back, the ribs, inside blocks, inside lining, bass bar, purfling, finger board, neck, scroll, nut, lower nut, tailpiece, loop, end button, pegs, strings, bridge, and the sound post. The body of the violin is a hollow box which measures about 35.5 cm in length. The back, the neck, the ribs and the bridge are usually made of maple. The belly, linings, and the soundpost are usually made of spruce. Scrupulous care is taken in selecting and shaping the belly and back. They must be adjusted to certain frequencies before assembly in order for the main wood resonance of the instrument to be of the apppropriate strength and pitch. 现代小提琴由约七十个部件组成。这些部件包括腹板、背板、肋木、内部木块、内部衬板、低音条、饰板、指板、琴颈、琴头、琴码、下琴码、尾钉、环、末端按钮、琴 pegs、琴弦、桥以及声桥。小提琴的外壳是一个中空的箱体，长度约为35.5厘米。背板、琴颈、肋木和桥通常由枫木制成。腹板、衬板和声桥通常由云杉木制成。在选择和加工腹板和背板时必须非常谨慎。在组装前必须将它们调整到特定的频率，以便使乐器的主要木材共振具有适当的强度和音调。

Violin Bridge

The action of the violin bridge is essential to the tone of the instrument. It's shape and function have been developed over centuries. Underneath the treble side of the bridge (where the E string rests) is the sound post which extends from the front to the back plate of the instrument. Since this side of the bridge rests on this post, it is essentially fixed and acts as a pivot for the rocking motion of the remainder of the bridge. It does however, couple the sound energy from the top plate to the back plate of the instrument.

Underneath the bass side of the bridge (where the G string rests), a long, thin wooden strip called the bass bar is attached, almost parallel to the strings. This bass foot of the bridge is more free to move, and its motion is the point of transfer of energy from the strings to the top plate of the instrument. The extended bass bar helps it to transfer the energy to a larger area of the top plate. As can be seen from the diagram, the amplitude of motion is larger for the bass strings. This is desirable for balance of loudness, since the sensitivity of the ear drops off a bit toward the lower frequencies of the instrument.